Antelope Galaxy 64 Synergy Core
64 Channels of analog audio. Dante & HDX connectivity. One device.
Galaxy 64 Synergy Core is a high-end recording system that connects your entire studio within a 2U rack space while providing high-fidelity audio and onboard effects processing for your most demanding projects. With Dante, HDX and Thunderbolt connectivity, the world’s first 64-channel AD/DA converter offers unbeatable flexibility when moving sound around your high-profile production facility, live stage, broadcast, or other enterprise applications.
Integration – More streamlined workflow, less clutter
The interface is designed to be the hub of your entire recording environment that eliminates the need for any expansion modules and cards, thus centralizing your entire setup. Switching from project to project is effortless with the fast recall of presets and adapting to different workflows is made easier by allowing you to address numerous applications using a single hardware frame.
Connectivity -World’s first 64-channel AD/DA converter in 2U rack space
Galaxy 64 Synergy Core is the only interface to offer two Dante ports for audio networking, four HDX ports for a full array of 128 channels in Pro Tools as well as Thunderbolt connectivity. These features can be used simultaneously with multiple systems for easy adaptation to different workflows with preferred DAW applications. This is all made possible by utilizing our exclusive FPGA configuration and advanced digital routing.
Analog
8x DB25 line inputs (64 channels at 24-bit, 192kHz)
64 аnalog input channels over 8 DSUB-25 connectors with AC/DC coupling switch (TASCAM standard)
8x DB25 line outputs (64 channels at 24-bit, 192kHz)
64 analog output channels over 8 DC-coupled D-Sub 25 connectors (TASCAM standard);
1× Stereo headphone output (24-bit, 192kHz)
Stereo TRS jack for headphone monitoring with a D/A converter providing 122dB of headroom.
1× Stereo monitor output pair (2 channels at 24-bit, 192kHz)
L/R studio speaker outputs on 1/4-inch TRS connectors with a dedicated converter providing 130dB of headroom
Digital
2x DANTE® Ports (64 channels at 24-bit, 48kHz)
Primary and Secondary Dante® connections on RJ 45 (Ethernet) ports. The number of input and output audio channels is sample rate-dependent
4x HDX Ports (128 channels at 24-bit, 192kHz)
Four HDX ports enable interfacing to two HDX cards simultaneously for a primary/secondary recording setup or a full array of 128 channels.
2x Thunderbolt 3™ Ports (64 channels at 24-bit, 192kHz)
Two Thunderbolt 3 ports for PC/Mac connection. The left port enables USB-C connection to a secondary computer for remote control purposes.
2x Optical MADI Ports (64 channels at 24-bit, 48kHz)
Should the need for more channels arise, use the MADI ports on optical SC connectors to daisy-chain with another audio interface.
2x AES/EBU Ports (2 channels at 24-bit, 192kHz)
Two AES/EBU ports on XLR connectors for digital expansion to AD/DA converters or monitoring systems.
2x S/PDIF (input and output) (2 channels at 24-bit, 192kHz)
Two S/PDIF ports RCA connectors for digital expansion to AD/DAconverters or monitoring systems.
Clocking
1x Word clock input
The word clock input allows you to sync Galaxy 64 Synergy Core’s internal clock to an external master clock or other converter.
6x Word clock outputs
With the word clock outputs, you can distribute the internal clock signal across the rest of your digital gear.
2x Loop sync (input and output)
Word clock distribution system for HD and HDX set-ups that eliminates sync repatching.
1x 10M atomic reference input
An atomic input allows reference from the 10MX atomic clock or the 10M reference clock.
ATMOS-READY EMBRACE THE FUTURE OF AUDIO PRODUCTION
A complete Atmos-ready surround and immersive audio monitoring system is supported by the interface, compatible with over 23 audio formats from stereo to Dolby Atmos 9.1.6. It offers precise speaker and room calibration tools as well as intuitive monitoring controls and fast preset recall functionality, designed to increase productivity.
MRC
As a physical extension of the system, the compatible Antelope MRC hardware controller provides streamlined and tactile controls that are key for effortless yet advanced monitoring.
Dante® audio over IP Build your network
Dante is the number one audio over IP choice for installations, live events, production facilities, and any situation where large volumes of high-definition digital audio must be reliably transferred over long distances. Achieved using just an Ethernet port, Dante connection is preferred among other digital network standards, due to its easy configuration and variety of product support.
The configuration provides straightforward integration and reliable redundancy, with the secondary RJ-45 port serving as a backup 64-channel Dante route. Galaxy 64 Synergy Core allows extensive real-time backup and multi-level recording options throughout every production stage.
ATMOS-READY HDX connection 128 channels in Pro Tools at 192kHz sample rate
The only interface to offer four HDX ports provides primary or secondary recording solution per card or a full array of 128 channels of recording split to two systems. What is especially impressive about our exclusive FPGA configuration is that it allows this channel count to be maintained at high sample rates such as 192kHz.
Unlike modular systems, all I/O is available at any time without the need to exchange boards or change setups. This is the easiest way to interface multiple Pro Tools sessions through several hosts.
Sound High-fidelity conversion
High-spec AD/DA converters provide low total harmonic distortion and signal-to-noise ratio for artifact-free recording sessions. The Galaxy 64 Synergy Core does not require external converters for monitoring because of the dedicated mastering-grade monitor converter. It facilitates audio reproduction with a wider soundstage for critical listening without coloration or signal degradation.
Industry-leading clocking technology
Our proprietary 64-bit Acoustically Focused Clocking and Jitter Management algorithm ensure the kind of audio quality that sets apart the legendary Isochrone Trinity master clock. The Galaxy 64 Synergy Core delivers the same increased width, separation, and detail in your musical performances.
Effects processing 37 Real-time effects included
Galaxy 64 Synergy Core includes a massive expandable library of 37 real-time effects. It is largely composed of software emulations of vintage analog gear found in world-renowned recording studios. The collection does not lack in variety – you can find rarities like a boutique autowah pedal from Finland, a Danish master-grade compressor or emulation of famous units like American-design EQs.
18 Equalizers, 12 Compressors & Limiters, 2 Preamps & Channel Strips, 1 Reverb,
1 De-Esser, 1 Tremolo, 1 AutoWah Pedal, 1 Guitar Tuner
Control panel Intuitive control over all features
Take charge of each aspect of the unit’s functionalities with a convenient software Control Panel. It provides intuitive control of all settings, gain adjustments, real-time effects, metering, and presets. From the Control Panel you have immediate access to the flexible Routing Matrix and the low latency internal mixers. Every Galaxy 64 Synergy Core feature works seamlessly once you establish your Control Panel workflow.
Workflow-enhancing features
Routing matrix
The comprehensive Routing Matrix houses an advanced digital patch bay to freely route audio between the unit’s analog and digital inputs and outputs. This happens with simple drag and drop functionality, while user labeling, and color-coding facilitate immediate and intuitive operation.
Low latency internal mixers
The Control Panel houses 8 low latency 32-channel mixers that can be split into individual cue mixes and sub-mixes, allowing you to distribute headphone mixes for your musicians while applying pan, reverb, other effects and stereo link. Each mixer has 32 inputs and a stereo output which makes them ideal for real-time multi-channel hardware-based monitoring and signal summing.
Remote control & standalone operation
The interface allows interfacing to a second computer via USB-C for the purposes of remote control. This way, you can run dedicated live/recording and Control Panel setups without being tied to a single computer. Network control is also a possibility through a proprietary client/server system. With the interface, you also have the option to work without being connected to a computer.
Customizable presets
Create custom presets for any scenario, complete with signal routing, level adjustments, mixer settings and sub-mixes. Everything can be custom configured for individual recording sessions, live events, and pre/post-production sessions. Preset files can be shared across multiple studios and devices to ease workload and optimize the production process.
Low latency direct monitoring
Record and monitor with analog-modeled effects processed with imperceptible latency in real-time. This feature will help you find creative solutions faster and commit to your sound early in the process, thus speeding up your workflow and avoiding the need to ‘fix it in the mix’.
Touchscreen controls
The touchscreen functionality saves time and offers efficiency when immediate access to the Control Panel application is not there. The precise touch control facilitates fast and immediate access to metering, level controls, presets and settings.
Expand with Over 20 expandable effects
Upgrade your collection with effects modeled after legendary, American console mic preamps, British solid state channel strips, and many more. Expand your arsenal of creative tools with our expandable effects library.
Auto-Tune Synergy
Built from the ground-up in cooperation with Antares, Auto -Tune Synergy adds live pitch correction to the Antelope Audio experience. Use the most iconic vocal effect in popular music during real-time recording, live performance or in your mix.
Key Features
Analog & Digital Connectivity
64 analog input channels over 8 D-Sub 25 connectors with AC/DC coupling switch (TASCAM standard)
64 analog output channels over 8 DC-coupled D-Sub 25 connectors (TASCAM standard)
Dante™ audio over IP with primary/secondary port for audio transfer over long distances
Four HDX ports (24-bit, 192kHz): up to 128 channels I/O for Pro Tools HD / HDX integration
Two Thunderbolt™ 3 ports with custom macOS & Windows drivers for native DAW application
Digital I/O: 64 channels of optical MADI, 2 channels over AES/EBU, and 2 channels over S/PDIF
Clocking & Conversion
Proprietary 64-bit Acoustically Focused Clocking technology for increased width, separation, and detail in musical performances
Proprietary Jitter Management algorithm delivering truthful and expanded soundstage
High-resolution A/D and D/A conversion ensuring artefact-free recordings and mastering-grade converter with 130dB headroom for critical listening without coloration or signal degradation
Onboard real-time effects
Collection of 36 analog-modeled effects featuring classic as well as rare compressors, EQs, mic preamps and pedals
12×DSP, 2×FPGA Synergy Core proprietary onboard real-time plugin processing platform
Up to 256 plugin instances per session loaded simultaneously on 64 individual virtual racks
Workflow-enhancing features
Advanced digital routing matrix that allows execution of complicated input/output routing with a simple drag and drop functionality
8 low latency hardware-accelerated 32-channel mixers that can be split into individual cue mixes and sub-mixes while applying pan, reverb, other plugins and stereo link
Customizable presets complete with signal routing, level adjustments, mixer settings and sub-mixes
Direct monitoring with plugins, processed in real-time with imperceptible latency
Intuitive touchscreen interface with recallable hardware-based presets
Daisy chain over Thunderbolt™ 3 & remote control over USB Type-C
Option to work without being connected to a computer (standalone operation)
Wireless control of software features from a separate computer connected to the same network
37 Included Synergy Core Effects
VEQ-55A (3-Band EQ / HPF / LPF)
VEQ-4K BLACK (4-Band EQ / HPF / LPF)
VEQ-4K BROWN (4-Band EQ / HPF / LPF)
VEQ-4K ORANGE (4-Band EQ / HPF / LPF)
VEQ-4K PINK (4-Band EQ / HPF / LPF)
VEQ-HA32C (4-Band EQ / HPF / LPF)
VEQ-STU 900 (4-Band EQ / HPF / LPF)
NEU-W492 (4-Band EQ)
VMEQ-5 (3-Band Tube Mid-Range EQ )
BAE-1084 (3-Band EQ / HPF / LPF)
VEQ-STU 089 (3-Band EQ / HPF / LPF)
BAE-1023 (3-Band EQ / HPF)
VEQ-1A (2-Band Tube EQ)
VEQ-HLF (Tube 2-Band HPF / LPF)
VEQ-STU 169 (3-Band EQ / HPF)
NEU-PEV (3-Band EQ)
NEU-W495 (3-Band EQ)
Clear Q (Parametric EQ)
A-Tuner (Guitar Tuner)
VCA160 (VCA Compressor / Limiter)
X903 (VCA Compressor / Limiter)
ALT-436C (Vari-Mu Tube Compressor Amplifier)
Tube 176 (Vari-Mu Tube Compressor / Limiter)
Stay-Levin (Vari-Mu Tube Compressor)
SMT-100A (Tube Leveling Amplifier / Limiter)
FET-A78 (FET Compress Stereo Peak Limiter)
FET-A76 (FET Compressor / Limiting Amplifier)
BAE 10DCF (Compressor / Limiter)
PowerEX (Expander)
PowerFFC (Feed-Forward Compressor)
PowerGate (Noise Gate)
BA-31 (Germanium Mic Preamp)
Gyraf Gyratec IX (Dual Tube Mic Preamp with HPF)
Marble White AutoWah (Auto-Wah Pedal)
Vari-Speed Tremolo (Tremolo)
Auraverb (Reverb)
Master De-Esser (De-Esser)